Notes of The domestic sphere and the changing context of ceramic design, a contextual lecture delivered by Tessa Peters
Material culture matters
Book: Daniel miller the comfort of things
Ideas of domestic in different perspective(feminine/masculine etc) tying into cultural/historical context
Development of lifestyle:
Living in factory during industrial revolution —> concept of separation of work and leisure was introduced —> Decoration of home came in fashion when wives started to stay home while husband’s out to work
Introduction to china in western world:
-Hugging teapot cartoon: debilitate effect of china-mania
Ethel Sands, tea with sickest, 1911-12:
-Sands’s house was a gathering hotspot for Camden Town artists
-Empty chair as absence of painter
-Floral domination in feminine world of house decoration: furniture matching with floral china teaset
-Personal individualistic intervention of male in feminine space
-Women are always facing back the viewpoint
Including ceramics in painting as representation of classes:
-Delicate china —> middle class
-Everyday brown betty teapot —> lower class
Ww1 and change of taste:
-Willi Bauer (How to live): red crossing victorian luxurious lifestyle
-Aggressive and non acceptable poster design until end of ww1
Rising of economic design:
-cheaper earthenware with simple design
-Nikolai Suetin (teacup and saucer, 1923), pattern informed by situation in Russian revolution, simple design
-Stacking or multi uses eg bowl as cover of dishes4
-Lily Reich, Bright earth, fired earth, installation at the deutsches - Volk deutsches Arbeit (German people - German work) exhibition in Berlin, 1934
Introduction of modernist ceramics to American public:
-fiestaware: maternity, good value, economic, accessible, mix and match of colour
-american modern ware (1937): contemporary, modernist, hard to clean?? which didn’t receive good critics when introduced
People pots: organic shape and muted colours
Leonora Carrington, old maids, 1947
-Uncanniness in visual described by freud: Man’s primitive past represent in imaginative thinking
Méret Oppenheim:
-My nurse: high heels serving on plate like chicken, protesting that Lady shoes are fetished with sexual meaning
The berleigh family taking tea at Wilbur crescent, hove, C.H.H. Berleigh, 1947
-Middle class: Family members relaxing
-Individuality: Woman are on feminine furniture like soft pink sofa with flowers around while man sits in tough wooden chair, everyone has their own mugs now and furnitures matches each’s clothing
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